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Thoenes Christof, Zollner Frank Michelangelo - Life and Work
Il divino A glorious exploration of Michelangelo's works "The photography is sharp, the colour true and full of lustre...This will prove to be one of the art books of the year." - The Good Book Guide, London Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted David and Pieta, two of the most famous sculptures in the entire history of art. Like fellow Florentine Leonardo da Vinci, Michelangelo was a shining star of the Renaissance and a genius of consummate virtuosity. His achievements as a sculptor, painter, draughtsman, and architect are unique-no artist before or after him has ever produced such a vast, multi-faceted, and wide-ranging oeuvre. Only a handful of other painters and sculptors have attained a comparable social status and enjoyed a similar artistic freedom. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo's monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his talent that Michelangelo was considered a demigod by his contemporaries and was the subject of two biographies during his lifetime. The edition explores Michelangelo's life and work in depth and detail. The different parts of the book concentrate on the life of Michelangelo via an extensive and copiously illustrated biographical essay and include gorgeous, full page reproductions and enlarged details that bring readers up close to the works. This sumptuous tome also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. This survey of Michelangelo's life and oeuvre is a basic reference for every art lover. The authors: Christof Thoenes studied art history in Berlin and Pavia, before completing his doctorate in Berlin. Thoenes lives in Rome, where for many years he has worked for the Bibliotheca Hertziana (Max-Planck-Institute), and is honorary professor in Hamburg. He has contributed to numerous publications on Italian art, particularly on architecture and architectural theory of the 15th to 18th centuries. Frank Zollner wrote his doctoral theses on artistic and architectural theory (1987) and Leonardo Da Vinci (1996). He has written numerous publications on the art and artistic theory of the Renaissance and on Paul Klee. Since 1996 he has been Professor of Renaissance and Modern Art at Leipzig University. For TASCHEN he has authored the XL monographs on Leonardo da Vinci and Michelangelo.
Thoenes Christof, Zollner Frank Michelangelo - Life and Work
Il divino A glorious exploration of Michelangelo's works "The photography is sharp, the colour true and full of lustre...This will prove to be one of the art books of the year." - The Good Book Guide, London Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted David and Pieta, two of the most famous sculptures in the entire history of art. Like fellow Florentine Leonardo da Vinci, Michelangelo was a shining star of the Renaissance and a genius of consummate virtuosity. His achievements as a sculptor, painter, draughtsman, and architect are unique-no artist before or after him has ever produced such a vast, multi-faceted, and wide-ranging oeuvre. Only a handful of other painters and sculptors have attained a comparable social status and enjoyed a similar artistic freedom. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo's monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his talent that Michelangelo was considered a demigod by his contemporaries and was the subject of two biographies during his lifetime. The edition explores Michelangelo's life and work in depth and detail. The different parts of the book concentrate on the life of Michelangelo via an extensive and copiously illustrated biographical essay and include gorgeous, full page reproductions and enlarged details that bring readers up close to the works. This sumptuous tome also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. This survey of Michelangelo's life and oeuvre is a basic reference for every art lover. The authors: Christof Thoenes studied art history in Berlin and Pavia, before completing his doctorate in Berlin. Thoenes lives in Rome, where for many years he has worked for the Bibliotheca Hertziana (Max-Planck-Institute), and is honorary professor in Hamburg. He has contributed to numerous publications on Italian art, particularly on architecture and architectural theory of the 15th to 18th centuries. Frank Zollner wrote his doctoral theses on artistic and architectural theory (1987) and Leonardo Da Vinci (1996). He has written numerous publications on the art and artistic theory of the Renaissance and on Paul Klee. Since 1996 he has been Professor of Renaissance and Modern Art at Leipzig University. For TASCHEN he has authored the XL monographs on Leonardo da Vinci and Michelangelo.
Emmerling Leonhard Basquiat
The outsider inside From the streets to the galleries: the artist who turned the institution upside down From the streets of New York to the walls of its most prominent galleries, young graffiti artist Jean-Michel Basquiat (1960-1988) was catapulted to international fame in his early 20s and died of a drug-overdose at 27. The subject of a feature film by fellow artist Julian Schnabel, Basquiat is one of the most admired artists to emerge from the 1980s art boom. This book explores his short but prolific career. The author: Leonhard Emmerling received his doctorate from the University of Heidelberg for a thesis entitled 'Kunsttheorie Jean Dubuffets'. Since 2002 he has been working as an author and contemporary art exhibition curator in Berlin, Kaiserslautern, Krefeld and Ludwigsburg, Germany. His publications include TASCHEN's Jean-Michel Basquiat and Jackson Pollock.
Emmerling Leonhard Basquiat
The outsider inside From the streets to the galleries: the artist who turned the institution upside down From the streets of New York to the walls of its most prominent galleries, young graffiti artist Jean-Michel Basquiat (1960-1988) was catapulted to international fame in his early 20s and died of a drug-overdose at 27. The subject of a feature film by fellow artist Julian Schnabel, Basquiat is one of the most admired artists to emerge from the 1980s art boom. This book explores his short but prolific career. The author: Leonhard Emmerling received his doctorate from the University of Heidelberg for a thesis entitled 'Kunsttheorie Jean Dubuffets'. Since 2002 he has been working as an author and contemporary art exhibition curator in Berlin, Kaiserslautern, Krefeld and Ludwigsburg, Germany. His publications include TASCHEN's Jean-Michel Basquiat and Jackson Pollock.
Emmerling Leonhard Basquiat
The outsider inside From the streets to the galleries: the artist who turned the institution upside down From the streets of New York to the walls of its most prominent galleries, young graffiti artist Jean-Michel Basquiat (1960-1988) was catapulted to international fame in his early 20s and died of a drug-overdose at 27. The subject of a feature film by fellow artist Julian Schnabel, Basquiat is one of the most admired artists to emerge from the 1980s art boom. This book explores his short but prolific career. The author: Leonhard Emmerling received his doctorate from the University of Heidelberg for a thesis entitled 'Kunsttheorie Jean Dubuffets'. Since 2002 he has been working as an author and contemporary art exhibition curator in Berlin, Kaiserslautern, Krefeld and Ludwigsburg, Germany. His publications include TASCHEN's Jean-Michel Basquiat and Jackson Pollock.
Partsch Susanna Klee
Geometrical figures and hieroglyphic elements The delightfully unclassifiable work of a master painter Designated as "degenerate" by the Nazis, Paul Klee (1879-1940) is today considered one of the most important artists of the 20th century. His works stand out for the variety in their forms of artistic expression. His Tunisian water-colours depicting landscape, architecture and, above all, the North African light of this Mediterranean land constitute the true beginning of Klee's painting career. Although these paintings still fall under the heading of 'objective,' they already exhibit indications of his tendency toward abstraction and a language of forms. Geometrical figures and hieroglyphic elements characterize the majority of these works, which for this reason seem reminiscent of 'naive' and playful children's painting. In reality, however, Klee's paintings have their roots in theoretical considerations, their recurrent symbols conveying personal and at times political content. The author: Susanna Partsch (born in 1952) studied art history first in Heidelberg and, between 1980 and 1985, at the Wilhelm Hack Museum in Ludwigshafen, Germany. Presently a freelance writer in Munich, she has written books on Rembrandt, Gustav Klimt, Franz Marc and Paul Klee.
Partsch Susanna Klee
Geometrical figures and hieroglyphic elements The delightfully unclassifiable work of a master painter Designated as "degenerate" by the Nazis, Paul Klee (1879-1940) is today considered one of the most important artists of the 20th century. His works stand out for the variety in their forms of artistic expression. His Tunisian water-colours depicting landscape, architecture and, above all, the North African light of this Mediterranean land constitute the true beginning of Klee's painting career. Although these paintings still fall under the heading of 'objective,' they already exhibit indications of his tendency toward abstraction and a language of forms. Geometrical figures and hieroglyphic elements characterize the majority of these works, which for this reason seem reminiscent of 'naive' and playful children's painting. In reality, however, Klee's paintings have their roots in theoretical considerations, their recurrent symbols conveying personal and at times political content. The author: Susanna Partsch (born in 1952) studied art history first in Heidelberg and, between 1980 and 1985, at the Wilhelm Hack Museum in Ludwigshafen, Germany. Presently a freelance writer in Munich, she has written books on Rembrandt, Gustav Klimt, Franz Marc and Paul Klee.
Partsch Susanna Klee
Geometrical figures and hieroglyphic elements The delightfully unclassifiable work of a master painter Designated as "degenerate" by the Nazis, Paul Klee (1879-1940) is today considered one of the most important artists of the 20th century. His works stand out for the variety in their forms of artistic expression. His Tunisian water-colours depicting landscape, architecture and, above all, the North African light of this Mediterranean land constitute the true beginning of Klee's painting career. Although these paintings still fall under the heading of 'objective,' they already exhibit indications of his tendency toward abstraction and a language of forms. Geometrical figures and hieroglyphic elements characterize the majority of these works, which for this reason seem reminiscent of 'naive' and playful children's painting. In reality, however, Klee's paintings have their roots in theoretical considerations, their recurrent symbols conveying personal and at times political content. The author: Susanna Partsch (born in 1952) studied art history first in Heidelberg and, between 1980 and 1985, at the Wilhelm Hack Museum in Ludwigshafen, Germany. Presently a freelance writer in Munich, she has written books on Rembrandt, Gustav Klimt, Franz Marc and Paul Klee.
Bischoff Ulrich Munch
The Scream of self-liberation Paintings by one of Expressionism's pioneers For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, "The Scream" (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work: "In reality, my art is a free confession, an attempt to clarify to myself my own relation to life..." Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism. The author: Ulrich Bischoff (born in 1947) studied art history, German language and literature studies, sociology, history, philosophy, religion and education in Tubingen and Berlin. He has taught numerous courses at the Academy of Fine Arts in Munich and at the Universities of Berlin, Kiel, Hamburg, Passau and Dresden. Since 1994 Bischoff has been director of the Gemaldegalerie Neue Meister at the Staatliche Kunstsammlungen Dresden. He has published numerous writings in the areas of classical modernity and contemporary art, including TASCHEN's Edvard Munch and Max Ernst.
Bischoff Ulrich Munch
The Scream of self-liberation Paintings by one of Expressionism's pioneers For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, "The Scream" (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work: "In reality, my art is a free confession, an attempt to clarify to myself my own relation to life..." Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism. The author: Ulrich Bischoff (born in 1947) studied art history, German language and literature studies, sociology, history, philosophy, religion and education in Tubingen and Berlin. He has taught numerous courses at the Academy of Fine Arts in Munich and at the Universities of Berlin, Kiel, Hamburg, Passau and Dresden. Since 1994 Bischoff has been director of the Gemaldegalerie Neue Meister at the Staatliche Kunstsammlungen Dresden. He has published numerous writings in the areas of classical modernity and contemporary art, including TASCHEN's Edvard Munch and Max Ernst.
Bischoff Ulrich Munch
The Scream of self-liberation Paintings by one of Expressionism's pioneers For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, "The Scream" (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work: "In reality, my art is a free confession, an attempt to clarify to myself my own relation to life..." Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism. The author: Ulrich Bischoff (born in 1947) studied art history, German language and literature studies, sociology, history, philosophy, religion and education in Tubingen and Berlin. He has taught numerous courses at the Academy of Fine Arts in Munich and at the Universities of Berlin, Kiel, Hamburg, Passau and Dresden. Since 1994 Bischoff has been director of the Gemaldegalerie Neue Meister at the Staatliche Kunstsammlungen Dresden. He has published numerous writings in the areas of classical modernity and contemporary art, including TASCHEN's Edvard Munch and Max Ernst.
100 All-Time Favorite Movies
Favorite flicks Our choice of must-see masterpieces "Well-researched, encyclopedic, full of fascinating facts and an ideal present for silver screen enthusiasts." - The Sunday Post, Dundee They say that in life, there are winners and there are losers. Though the movies we selected for this two-volume collection are winners indeed, those that didn't make the cut aren't losers. We just didn't like them quite as much. It was a tough, soul-searching process, but after much debate and deliberation TASCHEN settled on what we believe to be the 100 finest examples of 20th century filmmaking. From horror to romance, noir to slapstick, adventure to tragedy, epic to musical, western to new wave, all genres are represented in this wide-ranging and devilishly fun compendium. Metropolis? Check. Modern Times? Yep. Citizen Kane, The Seven Samurai? Of course. La dolce vita, Psycho, A Clockwork Orange? You bet. Plus The Godfather, Annie Hall, Blue Velvet, Pulp Fiction... and so many more cinematic gems including lesser-known masterpieces like Bunuel's The Young and the Damned. Think of this collection as a celebration of contrasts, an homage to the seventh art, a gathering of greats, and a nostalgic romp through celluloid history. Chronological entries each include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. The chapter for each decade begins with an introduction exploring the historical and social context of films made in that era. The editor: Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles.
100 All-Time Favorite Movies
Favorite flicks Our choice of must-see masterpieces "Well-researched, encyclopedic, full of fascinating facts and an ideal present for silver screen enthusiasts." - The Sunday Post, Dundee They say that in life, there are winners and there are losers. Though the movies we selected for this two-volume collection are winners indeed, those that didn't make the cut aren't losers. We just didn't like them quite as much. It was a tough, soul-searching process, but after much debate and deliberation TASCHEN settled on what we believe to be the 100 finest examples of 20th century filmmaking. From horror to romance, noir to slapstick, adventure to tragedy, epic to musical, western to new wave, all genres are represented in this wide-ranging and devilishly fun compendium. Metropolis? Check. Modern Times? Yep. Citizen Kane, The Seven Samurai? Of course. La dolce vita, Psycho, A Clockwork Orange? You bet. Plus The Godfather, Annie Hall, Blue Velvet, Pulp Fiction... and so many more cinematic gems including lesser-known masterpieces like Bunuel's The Young and the Damned. Think of this collection as a celebration of contrasts, an homage to the seventh art, a gathering of greats, and a nostalgic romp through celluloid history. Chronological entries each include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. The chapter for each decade begins with an introduction exploring the historical and social context of films made in that era. The editor: Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles.
100 All-Time Favorite Movies
Favorite flicks Our choice of must-see masterpieces "Well-researched, encyclopedic, full of fascinating facts and an ideal present for silver screen enthusiasts." - The Sunday Post, Dundee They say that in life, there are winners and there are losers. Though the movies we selected for this two-volume collection are winners indeed, those that didn't make the cut aren't losers. We just didn't like them quite as much. It was a tough, soul-searching process, but after much debate and deliberation TASCHEN settled on what we believe to be the 100 finest examples of 20th century filmmaking. From horror to romance, noir to slapstick, adventure to tragedy, epic to musical, western to new wave, all genres are represented in this wide-ranging and devilishly fun compendium. Metropolis? Check. Modern Times? Yep. Citizen Kane, The Seven Samurai? Of course. La dolce vita, Psycho, A Clockwork Orange? You bet. Plus The Godfather, Annie Hall, Blue Velvet, Pulp Fiction... and so many more cinematic gems including lesser-known masterpieces like Bunuel's The Young and the Damned. Think of this collection as a celebration of contrasts, an homage to the seventh art, a gathering of greats, and a nostalgic romp through celluloid history. Chronological entries each include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. The chapter for each decade begins with an introduction exploring the historical and social context of films made in that era. The editor: Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles.
Tom of Finland: The Comics Vol. I
Boys will be boys! Tom's fellas can be yours for the price of a cocktail The Comics is the most affordable compilation of Tom of Finland's popular panel stories. This volume features 14 stories, including the first completed by Tom in 1946, and the last, done in 1986. Along the way we meet Jack in the Jungle, Beach Boys, Greasy Rider, Ringo & the Renegades, and Tom's most infamous creation, Kake, the ultimate leatherman. The stories are arranged chronologically in a book sized to fit perfectly in one hand, wrapped in our new Panic Jacket that allows the book to be read any place, any time, by simply removing and reversing the cover to give the appearance of a serious scholarly tome. For boys who like boys who like art-but are sometimes embarrassed to enjoy their art in public-this attractive package is not to be missed. Durk Dehner is Tom's archivist and provided the original art for these volumes. He was born in Alberta, Canada, where he studied art before moving to the United States in the mid-'70s. Dehner was instrumental in bringing Tom out of the underground and in focusing public attention on his work. The two co-founded the Tom of Finland Foundation in 1984, and Dehner continues as head of the Foundation, headquartered in Los Angeles, California. The artist: Touko Laaksonen, the boy who would become Tom of Finland (1920-1991), began drawing cartoons at age five. His favorite subjects were the rough manly men of his native Finland, as Touko knew from an early age that men interested him more than women. His talents were further honed by art study in Helsinki. He found success in the Finnish advertising industry but secretly continued creating his increasingly erotic drawings of hyper-masculine men. In 1957 he submitted some drawings to the American magazine Physique Pictorial and the "Tom of Finland" legend was born. By the late 60s Tom's "dirty drawings" became the standard for gay art, and Tom's Men a template for a new gay masculinity. Tom's art continues to play an important role in promoting self-confidence, positive self-image and openness in the gay community. The editor: Dian Hanson was born in Seattle in 1951. For 25 years she produced various men's magazines, including Puritan, Juggs and Leg Show, before becoming TASCHEN's sexy book editor in 2001. Her many books for TASCHEN include Vanessa del Rio: Fifty Years of Slightly Slutty Behavior, Tom of Finland XXL, and The Big Butt Book. She lives in Los Angeles.
Tom of Finland: The Comics Vol. I
Boys will be boys! Tom's fellas can be yours for the price of a cocktail The Comics is the most affordable compilation of Tom of Finland's popular panel stories. This volume features 14 stories, including the first completed by Tom in 1946, and the last, done in 1986. Along the way we meet Jack in the Jungle, Beach Boys, Greasy Rider, Ringo & the Renegades, and Tom's most infamous creation, Kake, the ultimate leatherman. The stories are arranged chronologically in a book sized to fit perfectly in one hand, wrapped in our new Panic Jacket that allows the book to be read any place, any time, by simply removing and reversing the cover to give the appearance of a serious scholarly tome. For boys who like boys who like art-but are sometimes embarrassed to enjoy their art in public-this attractive package is not to be missed. Durk Dehner is Tom's archivist and provided the original art for these volumes. He was born in Alberta, Canada, where he studied art before moving to the United States in the mid-'70s. Dehner was instrumental in bringing Tom out of the underground and in focusing public attention on his work. The two co-founded the Tom of Finland Foundation in 1984, and Dehner continues as head of the Foundation, headquartered in Los Angeles, California. The artist: Touko Laaksonen, the boy who would become Tom of Finland (1920-1991), began drawing cartoons at age five. His favorite subjects were the rough manly men of his native Finland, as Touko knew from an early age that men interested him more than women. His talents were further honed by art study in Helsinki. He found success in the Finnish advertising industry but secretly continued creating his increasingly erotic drawings of hyper-masculine men. In 1957 he submitted some drawings to the American magazine Physique Pictorial and the "Tom of Finland" legend was born. By the late 60s Tom's "dirty drawings" became the standard for gay art, and Tom's Men a template for a new gay masculinity. Tom's art continues to play an important role in promoting self-confidence, positive self-image and openness in the gay community. The editor: Dian Hanson was born in Seattle in 1951. For 25 years she produced various men's magazines, including Puritan, Juggs and Leg Show, before becoming TASCHEN's sexy book editor in 2001. Her many books for TASCHEN include Vanessa del Rio: Fifty Years of Slightly Slutty Behavior, Tom of Finland XXL, and The Big Butt Book. She lives in Los Angeles.
Greatest of all time. A Tribute to Muhammad Ali
The Champ is back! Heavyweight champion - lightweight edition (slimmed down from 50 to 15 pounds) "This is not a book. This is a monument on paper, the most megalomaniacal book in the history of civilization, the biggest, heaviest, most radiant thing ever printed - Ali's last victory." - Der Spiegel, Hamburg This monumental publication first published in TASCHEN's limited collector's editions is now finally available in a popular hardcover edition! Universally acclaimed as the greatest sportsman of the modern era, someone who transformed not just his sport but the cultural status of athletes everywhere, Muhammad Ali still towers over the "sweet science" of boxing, more than three decades after announcing his retirement. Acknowledged as one of the most remarkable personalities of our time and undoubtedly the most popular sporting personality ever, his status as the finest heavyweight champion to grace a ring is beyond all doubt. To honor this living legend, TASCHEN created an epic book, as powerful and vibrant as the man himself, a phenomenal artefact that reflects the scale of Ali's many achievements: GREATEST OF ALL TIME - A TRIBUTE TO MUHAMMAD ALI is a book with the power, courage, depth, creativity and dazzling energy of its extraordinary subject. Containing thousands of images-photography, art and memorabilia-from over 100 photographers and artists, 2 gatefold sequences, original essays as well as the best interviews and writing of the last five decades round off the picture of the Champ. Today, seven years after the publication of GOAT, we are proud to publish this affordable edition at last so that Ali's genius can be shared with the widest possible audience. Smaller in size but not in impact, this new version brings the people's champ to the people. Издание на английском языке.
Greatest of all time. A Tribute to Muhammad Ali
The Champ is back! Heavyweight champion - lightweight edition (slimmed down from 50 to 15 pounds) "This is not a book. This is a monument on paper, the most megalomaniacal book in the history of civilization, the biggest, heaviest, most radiant thing ever printed - Ali's last victory." - Der Spiegel, Hamburg This monumental publication first published in TASCHEN's limited collector's editions is now finally available in a popular hardcover edition! Universally acclaimed as the greatest sportsman of the modern era, someone who transformed not just his sport but the cultural status of athletes everywhere, Muhammad Ali still towers over the "sweet science" of boxing, more than three decades after announcing his retirement. Acknowledged as one of the most remarkable personalities of our time and undoubtedly the most popular sporting personality ever, his status as the finest heavyweight champion to grace a ring is beyond all doubt. To honor this living legend, TASCHEN created an epic book, as powerful and vibrant as the man himself, a phenomenal artefact that reflects the scale of Ali's many achievements: GREATEST OF ALL TIME - A TRIBUTE TO MUHAMMAD ALI is a book with the power, courage, depth, creativity and dazzling energy of its extraordinary subject. Containing thousands of images-photography, art and memorabilia-from over 100 photographers and artists, 2 gatefold sequences, original essays as well as the best interviews and writing of the last five decades round off the picture of the Champ. Today, seven years after the publication of GOAT, we are proud to publish this affordable edition at last so that Ali's genius can be shared with the widest possible audience. Smaller in size but not in impact, this new version brings the people's champ to the people. Издание на английском языке.
Greatest of all time. A Tribute to Muhammad Ali
The Champ is back! Heavyweight champion - lightweight edition (slimmed down from 50 to 15 pounds) "This is not a book. This is a monument on paper, the most megalomaniacal book in the history of civilization, the biggest, heaviest, most radiant thing ever printed - Ali's last victory." - Der Spiegel, Hamburg This monumental publication first published in TASCHEN's limited collector's editions is now finally available in a popular hardcover edition! Universally acclaimed as the greatest sportsman of the modern era, someone who transformed not just his sport but the cultural status of athletes everywhere, Muhammad Ali still towers over the "sweet science" of boxing, more than three decades after announcing his retirement. Acknowledged as one of the most remarkable personalities of our time and undoubtedly the most popular sporting personality ever, his status as the finest heavyweight champion to grace a ring is beyond all doubt. To honor this living legend, TASCHEN created an epic book, as powerful and vibrant as the man himself, a phenomenal artefact that reflects the scale of Ali's many achievements: GREATEST OF ALL TIME - A TRIBUTE TO MUHAMMAD ALI is a book with the power, courage, depth, creativity and dazzling energy of its extraordinary subject. Containing thousands of images-photography, art and memorabilia-from over 100 photographers and artists, 2 gatefold sequences, original essays as well as the best interviews and writing of the last five decades round off the picture of the Champ. Today, seven years after the publication of GOAT, we are proud to publish this affordable edition at last so that Ali's genius can be shared with the widest possible audience. Smaller in size but not in impact, this new version brings the people's champ to the people. Издание на английском языке.
Greatest of all time. A Tribute to Muhammad Ali
The Champ is back! Heavyweight champion - lightweight edition (slimmed down from 50 to 15 pounds) "This is not a book. This is a monument on paper, the most megalomaniacal book in the history of civilization, the biggest, heaviest, most radiant thing ever printed - Ali's last victory." - Der Spiegel, Hamburg This monumental publication first published in TASCHEN's limited collector's editions is now finally available in a popular hardcover edition! Universally acclaimed as the greatest sportsman of the modern era, someone who transformed not just his sport but the cultural status of athletes everywhere, Muhammad Ali still towers over the "sweet science" of boxing, more than three decades after announcing his retirement. Acknowledged as one of the most remarkable personalities of our time and undoubtedly the most popular sporting personality ever, his status as the finest heavyweight champion to grace a ring is beyond all doubt. To honor this living legend, TASCHEN created an epic book, as powerful and vibrant as the man himself, a phenomenal artefact that reflects the scale of Ali's many achievements: GREATEST OF ALL TIME - A TRIBUTE TO MUHAMMAD ALI is a book with the power, courage, depth, creativity and dazzling energy of its extraordinary subject. Containing thousands of images-photography, art and memorabilia-from over 100 photographers and artists, 2 gatefold sequences, original essays as well as the best interviews and writing of the last five decades round off the picture of the Champ. Today, seven years after the publication of GOAT, we are proud to publish this affordable edition at last so that Ali's genius can be shared with the widest possible audience. Smaller in size but not in impact, this new version brings the people's champ to the people. Издание на английском языке.
Greatest of all time. A Tribute to Muhammad Ali
The Champ is back! Heavyweight champion - lightweight edition (slimmed down from 50 to 15 pounds) "This is not a book. This is a monument on paper, the most megalomaniacal book in the history of civilization, the biggest, heaviest, most radiant thing ever printed - Ali's last victory." - Der Spiegel, Hamburg This monumental publication first published in TASCHEN's limited collector's editions is now finally available in a popular hardcover edition! Universally acclaimed as the greatest sportsman of the modern era, someone who transformed not just his sport but the cultural status of athletes everywhere, Muhammad Ali still towers over the "sweet science" of boxing, more than three decades after announcing his retirement. Acknowledged as one of the most remarkable personalities of our time and undoubtedly the most popular sporting personality ever, his status as the finest heavyweight champion to grace a ring is beyond all doubt. To honor this living legend, TASCHEN created an epic book, as powerful and vibrant as the man himself, a phenomenal artefact that reflects the scale of Ali's many achievements: GREATEST OF ALL TIME - A TRIBUTE TO MUHAMMAD ALI is a book with the power, courage, depth, creativity and dazzling energy of its extraordinary subject. Containing thousands of images-photography, art and memorabilia-from over 100 photographers and artists, 2 gatefold sequences, original essays as well as the best interviews and writing of the last five decades round off the picture of the Champ. Today, seven years after the publication of GOAT, we are proud to publish this affordable edition at last so that Ali's genius can be shared with the widest possible audience. Smaller in size but not in impact, this new version brings the people's champ to the people. Издание на английском языке.
Hopper Dennis, Hopps Walter, Bockris Victor, Hundley Jessica Dennis Hopper: Photographs 1961-1967
The many worlds of Dennis Hopper A reluctant icon captures a decade of cultural transformation During the 1960s, Dennis Hopper carried a camera everywhere-on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade's cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi-more than a third of them previously unpublished-this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America's most fascinating personalities. After our limited and art editions, this book is now available in a trade edition. The photographer: Dennis Hopper (1936-2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. Dennis Hopper passed away May 29, 2010 in Venice, CA. The contributing authors: An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933-2005) was one of the premier curators of 20th century art. Co-founder of Los Angeles's Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey "New Painting of Common Objects" was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons. The editor and author: Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974-78, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the '80s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the '60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed "Who's Afraid of Jasper Johns?"
Hopper Dennis, Hopps Walter, Bockris Victor, Hundley Jessica Dennis Hopper: Photographs 1961-1967
The many worlds of Dennis Hopper A reluctant icon captures a decade of cultural transformation During the 1960s, Dennis Hopper carried a camera everywhere-on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade's cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi-more than a third of them previously unpublished-this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America's most fascinating personalities. After our limited and art editions, this book is now available in a trade edition. The photographer: Dennis Hopper (1936-2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. Dennis Hopper passed away May 29, 2010 in Venice, CA. The contributing authors: An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933-2005) was one of the premier curators of 20th century art. Co-founder of Los Angeles's Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey "New Painting of Common Objects" was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons. The editor and author: Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974-78, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the '80s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the '60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed "Who's Afraid of Jasper Johns?"
Hopper Dennis, Hopps Walter, Bockris Victor, Hundley Jessica Dennis Hopper: Photographs 1961-1967
The many worlds of Dennis Hopper A reluctant icon captures a decade of cultural transformation During the 1960s, Dennis Hopper carried a camera everywhere-on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade's cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi-more than a third of them previously unpublished-this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America's most fascinating personalities. After our limited and art editions, this book is now available in a trade edition. The photographer: Dennis Hopper (1936-2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. Dennis Hopper passed away May 29, 2010 in Venice, CA. The contributing authors: An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933-2005) was one of the premier curators of 20th century art. Co-founder of Los Angeles's Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey "New Painting of Common Objects" was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons. The editor and author: Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974-78, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the '80s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the '60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed "Who's Afraid of Jasper Johns?"
Hopper Dennis, Hopps Walter, Bockris Victor, Hundley Jessica Dennis Hopper: Photographs 1961-1967
The many worlds of Dennis Hopper A reluctant icon captures a decade of cultural transformation During the 1960s, Dennis Hopper carried a camera everywhere-on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade's cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi-more than a third of them previously unpublished-this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America's most fascinating personalities. After our limited and art editions, this book is now available in a trade edition. The photographer: Dennis Hopper (1936-2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. Dennis Hopper passed away May 29, 2010 in Venice, CA. The contributing authors: An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933-2005) was one of the premier curators of 20th century art. Co-founder of Los Angeles's Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey "New Painting of Common Objects" was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons. The editor and author: Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974-78, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the '80s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the '60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed "Who's Afraid of Jasper Johns?"
Hopper Dennis, Hopps Walter, Bockris Victor, Hundley Jessica Dennis Hopper: Photographs 1961-1967
The many worlds of Dennis Hopper A reluctant icon captures a decade of cultural transformation During the 1960s, Dennis Hopper carried a camera everywhere-on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade's cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi-more than a third of them previously unpublished-this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America's most fascinating personalities. After our limited and art editions, this book is now available in a trade edition. The photographer: Dennis Hopper (1936-2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. Dennis Hopper passed away May 29, 2010 in Venice, CA. The contributing authors: An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933-2005) was one of the premier curators of 20th century art. Co-founder of Los Angeles's Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey "New Painting of Common Objects" was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons. The editor and author: Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974-78, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the '80s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the '60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed "Who's Afraid of Jasper Johns?"
Hopper Dennis, Hopps Walter, Bockris Victor, Hundley Jessica Dennis Hopper: Photographs 1961-1967
The many worlds of Dennis Hopper A reluctant icon captures a decade of cultural transformation During the 1960s, Dennis Hopper carried a camera everywhere-on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade's cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi-more than a third of them previously unpublished-this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America's most fascinating personalities. After our limited and art editions, this book is now available in a trade edition. The photographer: Dennis Hopper (1936-2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. Dennis Hopper passed away May 29, 2010 in Venice, CA. The contributing authors: An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933-2005) was one of the premier curators of 20th century art. Co-founder of Los Angeles's Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey "New Painting of Common Objects" was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons. The editor and author: Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974-78, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the '80s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the '60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed "Who's Afraid of Jasper Johns?"
Hopper Dennis, Hopps Walter, Bockris Victor, Hundley Jessica Dennis Hopper: Photographs 1961-1967
The many worlds of Dennis Hopper A reluctant icon captures a decade of cultural transformation During the 1960s, Dennis Hopper carried a camera everywhere-on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade's cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi-more than a third of them previously unpublished-this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America's most fascinating personalities. After our limited and art editions, this book is now available in a trade edition. The photographer: Dennis Hopper (1936-2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. Dennis Hopper passed away May 29, 2010 in Venice, CA. The contributing authors: An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933-2005) was one of the premier curators of 20th century art. Co-founder of Los Angeles's Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey "New Painting of Common Objects" was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons. The editor and author: Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974-78, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the '80s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the '60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed "Who's Afraid of Jasper Johns?"
Koetzle Hans-Michael Photographers A-Z
Masters and monographs An encyclopedia of 20th century photographers and their finest publications A comprehensive overview of the most influential photographers of the last century and their finest monographs: Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century, from the earliest representatives of classical Modernism right up to the present day. Richly illustrated with facsimiles from books and magazines, this book includes all the major photographers of the last one hundred years-especially those who have distinguished themselves with important publications or exhibitions, or who have made a significant contribution to the culture of the photographic image. The 400 entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China. Photographers A-Z focuses on photographic images and culture, but also features photographers working in "applied" areas, whose work goes beyond the merely illustrative, and is regarded as photographic art and is conserved by major museums, such as Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle, et al. Featured photographers include: Ansel Adams, Manuel Alvarez-Bravo, Nobuyoshi Araki, Diane Arbus, Richard Avedon, David Bailey, Elmer Batters, Peter Beard, Cecil Beaton, Werner Bischof, Guy Bourdin, Bill Brandt, Robert Capa, William Claxton, Anton Corbijn, Robert Doisneau, William Eggleston, Masahisa Fukase, Nan Goldin, Jean-Paul Goude, John Heartfield, Eikoh Hosoe, George Hoyningen-Huene, Seydou Keita, William Klein, Nick Knight, Neil Leifer, Peter Lindbergh, Man Ray, Robert Mapplethorpe, Inez van Lamsweerde & Vinoodh Matadin, Jean-Baptiste Mondino, Helmut Newton, Martin Parr, Irving Penn, Pierre et Gilles, Bettina Rheims, Leni Riefenstahl, Sebastiao Salgado, Steve Schapiro, Andres Serrano, Cindy Sherman, Kishin Shinoyama, Jeanloup Sieff, Lord Snowdon, Bert Stern, Larry Sultan, Mario Testino, Wolfgang Tillmans, Ellen von Unwerth, Andy Warhol, Bruce Weber, Weegee, Gary Winogrand and many more. The author: Hans-Michael Koetzle is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), and Rene Burri (2004).
Koetzle Hans-Michael Photographers A-Z
Masters and monographs An encyclopedia of 20th century photographers and their finest publications A comprehensive overview of the most influential photographers of the last century and their finest monographs: Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century, from the earliest representatives of classical Modernism right up to the present day. Richly illustrated with facsimiles from books and magazines, this book includes all the major photographers of the last one hundred years-especially those who have distinguished themselves with important publications or exhibitions, or who have made a significant contribution to the culture of the photographic image. The 400 entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China. Photographers A-Z focuses on photographic images and culture, but also features photographers working in "applied" areas, whose work goes beyond the merely illustrative, and is regarded as photographic art and is conserved by major museums, such as Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle, et al. Featured photographers include: Ansel Adams, Manuel Alvarez-Bravo, Nobuyoshi Araki, Diane Arbus, Richard Avedon, David Bailey, Elmer Batters, Peter Beard, Cecil Beaton, Werner Bischof, Guy Bourdin, Bill Brandt, Robert Capa, William Claxton, Anton Corbijn, Robert Doisneau, William Eggleston, Masahisa Fukase, Nan Goldin, Jean-Paul Goude, John Heartfield, Eikoh Hosoe, George Hoyningen-Huene, Seydou Keita, William Klein, Nick Knight, Neil Leifer, Peter Lindbergh, Man Ray, Robert Mapplethorpe, Inez van Lamsweerde & Vinoodh Matadin, Jean-Baptiste Mondino, Helmut Newton, Martin Parr, Irving Penn, Pierre et Gilles, Bettina Rheims, Leni Riefenstahl, Sebastiao Salgado, Steve Schapiro, Andres Serrano, Cindy Sherman, Kishin Shinoyama, Jeanloup Sieff, Lord Snowdon, Bert Stern, Larry Sultan, Mario Testino, Wolfgang Tillmans, Ellen von Unwerth, Andy Warhol, Bruce Weber, Weegee, Gary Winogrand and many more. The author: Hans-Michael Koetzle is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), and Rene Burri (2004).
Koetzle Hans-Michael Photographers A-Z
Masters and monographs An encyclopedia of 20th century photographers and their finest publications A comprehensive overview of the most influential photographers of the last century and their finest monographs: Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century, from the earliest representatives of classical Modernism right up to the present day. Richly illustrated with facsimiles from books and magazines, this book includes all the major photographers of the last one hundred years-especially those who have distinguished themselves with important publications or exhibitions, or who have made a significant contribution to the culture of the photographic image. The 400 entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China. Photographers A-Z focuses on photographic images and culture, but also features photographers working in "applied" areas, whose work goes beyond the merely illustrative, and is regarded as photographic art and is conserved by major museums, such as Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle, et al. Featured photographers include: Ansel Adams, Manuel Alvarez-Bravo, Nobuyoshi Araki, Diane Arbus, Richard Avedon, David Bailey, Elmer Batters, Peter Beard, Cecil Beaton, Werner Bischof, Guy Bourdin, Bill Brandt, Robert Capa, William Claxton, Anton Corbijn, Robert Doisneau, William Eggleston, Masahisa Fukase, Nan Goldin, Jean-Paul Goude, John Heartfield, Eikoh Hosoe, George Hoyningen-Huene, Seydou Keita, William Klein, Nick Knight, Neil Leifer, Peter Lindbergh, Man Ray, Robert Mapplethorpe, Inez van Lamsweerde & Vinoodh Matadin, Jean-Baptiste Mondino, Helmut Newton, Martin Parr, Irving Penn, Pierre et Gilles, Bettina Rheims, Leni Riefenstahl, Sebastiao Salgado, Steve Schapiro, Andres Serrano, Cindy Sherman, Kishin Shinoyama, Jeanloup Sieff, Lord Snowdon, Bert Stern, Larry Sultan, Mario Testino, Wolfgang Tillmans, Ellen von Unwerth, Andy Warhol, Bruce Weber, Weegee, Gary Winogrand and many more. The author: Hans-Michael Koetzle is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), and Rene Burri (2004).
Castle Alison Stanley Kubrick's Napoleon: The Greatest Movie Never Made
The greatest movie never made The fascinating tale of Kubrick's unfilmed masterpiece Now available in an unlimited, single-volume edition! For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick's "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick's movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion. TASCHEN's tribute to this unmade masterpiece makes Kubrick's valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick's final draft is reproduced in its entirety. The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema's greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte. "Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images" The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot and The Stanley Kubrick Archives.
Castle Alison Stanley Kubrick's Napoleon: The Greatest Movie Never Made
The greatest movie never made The fascinating tale of Kubrick's unfilmed masterpiece Now available in an unlimited, single-volume edition! For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick's "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick's movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion. TASCHEN's tribute to this unmade masterpiece makes Kubrick's valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick's final draft is reproduced in its entirety. The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema's greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte. "Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images" The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot and The Stanley Kubrick Archives.
Castle Alison Stanley Kubrick's Napoleon: The Greatest Movie Never Made
The greatest movie never made The fascinating tale of Kubrick's unfilmed masterpiece Now available in an unlimited, single-volume edition! For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick's "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick's movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion. TASCHEN's tribute to this unmade masterpiece makes Kubrick's valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick's final draft is reproduced in its entirety. The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema's greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte. "Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images" The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot and The Stanley Kubrick Archives.
Castle Alison Stanley Kubrick's Napoleon: The Greatest Movie Never Made
The greatest movie never made The fascinating tale of Kubrick's unfilmed masterpiece Now available in an unlimited, single-volume edition! For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick's "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick's movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion. TASCHEN's tribute to this unmade masterpiece makes Kubrick's valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick's final draft is reproduced in its entirety. The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema's greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte. "Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images" The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot and The Stanley Kubrick Archives.
Castle Alison Stanley Kubrick's Napoleon: The Greatest Movie Never Made
The greatest movie never made The fascinating tale of Kubrick's unfilmed masterpiece Now available in an unlimited, single-volume edition! For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick's "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick's movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion. TASCHEN's tribute to this unmade masterpiece makes Kubrick's valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick's final draft is reproduced in its entirety. The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema's greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte. "Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images" The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot and The Stanley Kubrick Archives.
Castle Alison Stanley Kubrick's Napoleon: The Greatest Movie Never Made
The greatest movie never made The fascinating tale of Kubrick's unfilmed masterpiece Now available in an unlimited, single-volume edition! For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick's "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick's movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion. TASCHEN's tribute to this unmade masterpiece makes Kubrick's valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick's final draft is reproduced in its entirety. The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema's greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte. "Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images" The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot and The Stanley Kubrick Archives.
Castle Alison Stanley Kubrick's Napoleon: The Greatest Movie Never Made
The greatest movie never made The fascinating tale of Kubrick's unfilmed masterpiece Now available in an unlimited, single-volume edition! For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick's "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick's movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion. TASCHEN's tribute to this unmade masterpiece makes Kubrick's valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick's final draft is reproduced in its entirety. The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema's greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte. "Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images" The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot and The Stanley Kubrick Archives.
Schapiro Steve The Godfather Family Album
An offer you can't refuse Never-before-seen photos of Coppola's masterpiece Selections from Steve Schapiro's photographs provide an insider's view of the making of the legendary trilogy. This edition is limited to 1,000 copies, each numbered and signed by Steve Schapiro. Imagine the experience of witnessing renowned actors as they made their most memorable performances. Steve Schapiro has had such a privilege as special photographer on some of American cinema's most beloved movies. For Francis Ford Coppola's Godfather trilogy, Schapiro immortalized actors such as Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton. His photographs of the Godfather holding the cat and the whisper in the Godfather's ear have become iconic images known throughout the world. Brought together in a book for the first time is a vast selection of images from all three Godfather films, reproduced from Schapiro's original negatives. This lavish, limited edition book, which also includes background articles and interviews about the films, contains over 400 color and black & white images, most of which have never been published before. It allows fans a privileged peek behind the scenes at the making of film history and it truly is a once-in-a-lifetime offer you can't refuse. Also available: The Art Edition, limited to 200 numbered copies, each signed by Steve Schapiro and accompanied by one of two original prints. The photographer: Steve Schapiro is a distinguished journalistic photographer whose pictures have graced the covers of Vanity Fair, Time, Sports Illustrated, Life, Look, Paris Match, and People, and are found in many museum collections. He has published four books of his work, American Edge, Schapiro's Heroes, The Godfather Family Album and Taxi Driver. In Hollywood he has worked on more than 200 motion pictures; his most famous film posters are for Midnight Cowboy, Taxi Driver, Parenthood, and The Godfather Part III. The editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series.
Schapiro Steve The Godfather Family Album
An offer you can't refuse Never-before-seen photos of Coppola's masterpiece Selections from Steve Schapiro's photographs provide an insider's view of the making of the legendary trilogy. This edition is limited to 1,000 copies, each numbered and signed by Steve Schapiro. Imagine the experience of witnessing renowned actors as they made their most memorable performances. Steve Schapiro has had such a privilege as special photographer on some of American cinema's most beloved movies. For Francis Ford Coppola's Godfather trilogy, Schapiro immortalized actors such as Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton. His photographs of the Godfather holding the cat and the whisper in the Godfather's ear have become iconic images known throughout the world. Brought together in a book for the first time is a vast selection of images from all three Godfather films, reproduced from Schapiro's original negatives. This lavish, limited edition book, which also includes background articles and interviews about the films, contains over 400 color and black & white images, most of which have never been published before. It allows fans a privileged peek behind the scenes at the making of film history and it truly is a once-in-a-lifetime offer you can't refuse. Also available: The Art Edition, limited to 200 numbered copies, each signed by Steve Schapiro and accompanied by one of two original prints. The photographer: Steve Schapiro is a distinguished journalistic photographer whose pictures have graced the covers of Vanity Fair, Time, Sports Illustrated, Life, Look, Paris Match, and People, and are found in many museum collections. He has published four books of his work, American Edge, Schapiro's Heroes, The Godfather Family Album and Taxi Driver. In Hollywood he has worked on more than 200 motion pictures; his most famous film posters are for Midnight Cowboy, Taxi Driver, Parenthood, and The Godfather Part III. The editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series.
Schapiro Steve The Godfather Family Album
An offer you can't refuse Never-before-seen photos of Coppola's masterpiece Selections from Steve Schapiro's photographs provide an insider's view of the making of the legendary trilogy. This edition is limited to 1,000 copies, each numbered and signed by Steve Schapiro. Imagine the experience of witnessing renowned actors as they made their most memorable performances. Steve Schapiro has had such a privilege as special photographer on some of American cinema's most beloved movies. For Francis Ford Coppola's Godfather trilogy, Schapiro immortalized actors such as Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton. His photographs of the Godfather holding the cat and the whisper in the Godfather's ear have become iconic images known throughout the world. Brought together in a book for the first time is a vast selection of images from all three Godfather films, reproduced from Schapiro's original negatives. This lavish, limited edition book, which also includes background articles and interviews about the films, contains over 400 color and black & white images, most of which have never been published before. It allows fans a privileged peek behind the scenes at the making of film history and it truly is a once-in-a-lifetime offer you can't refuse. Also available: The Art Edition, limited to 200 numbered copies, each signed by Steve Schapiro and accompanied by one of two original prints. The photographer: Steve Schapiro is a distinguished journalistic photographer whose pictures have graced the covers of Vanity Fair, Time, Sports Illustrated, Life, Look, Paris Match, and People, and are found in many museum collections. He has published four books of his work, American Edge, Schapiro's Heroes, The Godfather Family Album and Taxi Driver. In Hollywood he has worked on more than 200 motion pictures; his most famous film posters are for Midnight Cowboy, Taxi Driver, Parenthood, and The Godfather Part III. The editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series.
Schapiro Steve The Godfather Family Album
An offer you can't refuse Never-before-seen photos of Coppola's masterpiece Selections from Steve Schapiro's photographs provide an insider's view of the making of the legendary trilogy. This edition is limited to 1,000 copies, each numbered and signed by Steve Schapiro. Imagine the experience of witnessing renowned actors as they made their most memorable performances. Steve Schapiro has had such a privilege as special photographer on some of American cinema's most beloved movies. For Francis Ford Coppola's Godfather trilogy, Schapiro immortalized actors such as Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton. His photographs of the Godfather holding the cat and the whisper in the Godfather's ear have become iconic images known throughout the world. Brought together in a book for the first time is a vast selection of images from all three Godfather films, reproduced from Schapiro's original negatives. This lavish, limited edition book, which also includes background articles and interviews about the films, contains over 400 color and black & white images, most of which have never been published before. It allows fans a privileged peek behind the scenes at the making of film history and it truly is a once-in-a-lifetime offer you can't refuse. Also available: The Art Edition, limited to 200 numbered copies, each signed by Steve Schapiro and accompanied by one of two original prints. The photographer: Steve Schapiro is a distinguished journalistic photographer whose pictures have graced the covers of Vanity Fair, Time, Sports Illustrated, Life, Look, Paris Match, and People, and are found in many museum collections. He has published four books of his work, American Edge, Schapiro's Heroes, The Godfather Family Album and Taxi Driver. In Hollywood he has worked on more than 200 motion pictures; his most famous film posters are for Midnight Cowboy, Taxi Driver, Parenthood, and The Godfather Part III. The editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series.
Dienes Andre de Andre de Dienes, Marilyn. 2 vol.
Before there was Marilyn, there was Norma Jeane The photos and secret memoirs of Marilyn Monroe's first photographer and lifelong friend Fashion photographer Andre de Dienes's life was changed forever one day in 1945 when he met a lovely young aspiring model named Norma Jeane Dougherty. He instantly fell in love with her innocence and charm and the two were briefly engaged. They took many adventurous road trips together in those early years, de Dienes shooting Norma Jeane in every possible natural setting in his original, inspired style. He soon built up a huge portfolio of stunning photographs of the smiling brunette which helped to launch her model career and, a few years later, a film career that was to make her a legend. His entire relationship with the star, including many private moments shared only between the two, is detailed in de Dienes's secret memoirs, which were discovered when Monroe fans ravaged his home after his death in 1988. The memoirs tell a beautiful story of love and friendship from the point of view of someone who knew Marilyn intimately; describing the transformation from Norma Jeane to Marilyn Monroe - the evolution of a sensitive, ambitious girl into a deeply troubled megastar - from an inside perspective, they shed light on a little-known side of Marilyn. From their trip to see Norma Jeane's mother in a mental hospital to Marilyn's visit to his home a few days before her death, de Dienes recounts all of the emotional moments they shared. The combination of de Dienes's memoirs and an extensive selection of his Monroe photographs (which numbered in the thousands) makes for an unprecedented, personal exploration into the psychology, history, and iconography of the world's favorite movie star. The editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book.
Dienes Andre de Andre de Dienes, Marilyn. 2 vol.
Before there was Marilyn, there was Norma Jeane The photos and secret memoirs of Marilyn Monroe's first photographer and lifelong friend Fashion photographer Andre de Dienes's life was changed forever one day in 1945 when he met a lovely young aspiring model named Norma Jeane Dougherty. He instantly fell in love with her innocence and charm and the two were briefly engaged. They took many adventurous road trips together in those early years, de Dienes shooting Norma Jeane in every possible natural setting in his original, inspired style. He soon built up a huge portfolio of stunning photographs of the smiling brunette which helped to launch her model career and, a few years later, a film career that was to make her a legend. His entire relationship with the star, including many private moments shared only between the two, is detailed in de Dienes's secret memoirs, which were discovered when Monroe fans ravaged his home after his death in 1988. The memoirs tell a beautiful story of love and friendship from the point of view of someone who knew Marilyn intimately; describing the transformation from Norma Jeane to Marilyn Monroe - the evolution of a sensitive, ambitious girl into a deeply troubled megastar - from an inside perspective, they shed light on a little-known side of Marilyn. From their trip to see Norma Jeane's mother in a mental hospital to Marilyn's visit to his home a few days before her death, de Dienes recounts all of the emotional moments they shared. The combination of de Dienes's memoirs and an extensive selection of his Monroe photographs (which numbered in the thousands) makes for an unprecedented, personal exploration into the psychology, history, and iconography of the world's favorite movie star. The editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book.
Dienes Andre de Andre de Dienes, Marilyn. 2 vol.
Before there was Marilyn, there was Norma Jeane The photos and secret memoirs of Marilyn Monroe's first photographer and lifelong friend Fashion photographer Andre de Dienes's life was changed forever one day in 1945 when he met a lovely young aspiring model named Norma Jeane Dougherty. He instantly fell in love with her innocence and charm and the two were briefly engaged. They took many adventurous road trips together in those early years, de Dienes shooting Norma Jeane in every possible natural setting in his original, inspired style. He soon built up a huge portfolio of stunning photographs of the smiling brunette which helped to launch her model career and, a few years later, a film career that was to make her a legend. His entire relationship with the star, including many private moments shared only between the two, is detailed in de Dienes's secret memoirs, which were discovered when Monroe fans ravaged his home after his death in 1988. The memoirs tell a beautiful story of love and friendship from the point of view of someone who knew Marilyn intimately; describing the transformation from Norma Jeane to Marilyn Monroe - the evolution of a sensitive, ambitious girl into a deeply troubled megastar - from an inside perspective, they shed light on a little-known side of Marilyn. From their trip to see Norma Jeane's mother in a mental hospital to Marilyn's visit to his home a few days before her death, de Dienes recounts all of the emotional moments they shared. The combination of de Dienes's memoirs and an extensive selection of his Monroe photographs (which numbered in the thousands) makes for an unprecedented, personal exploration into the psychology, history, and iconography of the world's favorite movie star. The editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book.
Dienes Andre de Andre de Dienes, Marilyn. 2 vol.
Before there was Marilyn, there was Norma Jeane The photos and secret memoirs of Marilyn Monroe's first photographer and lifelong friend Fashion photographer Andre de Dienes's life was changed forever one day in 1945 when he met a lovely young aspiring model named Norma Jeane Dougherty. He instantly fell in love with her innocence and charm and the two were briefly engaged. They took many adventurous road trips together in those early years, de Dienes shooting Norma Jeane in every possible natural setting in his original, inspired style. He soon built up a huge portfolio of stunning photographs of the smiling brunette which helped to launch her model career and, a few years later, a film career that was to make her a legend. His entire relationship with the star, including many private moments shared only between the two, is detailed in de Dienes's secret memoirs, which were discovered when Monroe fans ravaged his home after his death in 1988. The memoirs tell a beautiful story of love and friendship from the point of view of someone who knew Marilyn intimately; describing the transformation from Norma Jeane to Marilyn Monroe - the evolution of a sensitive, ambitious girl into a deeply troubled megastar - from an inside perspective, they shed light on a little-known side of Marilyn. From their trip to see Norma Jeane's mother in a mental hospital to Marilyn's visit to his home a few days before her death, de Dienes recounts all of the emotional moments they shared. The combination of de Dienes's memoirs and an extensive selection of his Monroe photographs (which numbered in the thousands) makes for an unprecedented, personal exploration into the psychology, history, and iconography of the world's favorite movie star. The editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book.
Levitz Paul 75 Years of DC Comics
Four-Color Fantasy Super heroes from the Atom to Zatara: 75 years of DC Comics In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1, the first comic book with all-new, original material-at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time-the 20th century's answer to Atlas or Zorro. More than 40,000 comic books later, in honor of the publisher's 75th anniversary, TASCHEN has produced the single most comprehensive book on DC Comics, in an XL edition even Superman might have trouble lifting. More than 2,000 images-covers and interiors, original illustrations, photographs, film stills, and collectibles-are reproduced using the latest technology to bring the story lines, the characters, and their creators to vibrant life as they've never been seen before. Telling the tales behind the tomes is 38-year DC veteran Paul Levitz, whose in-depth essays trace the company's history, from its pulp origins through to the future of digital publishing.
Levitz Paul 75 Years of DC Comics
Four-Color Fantasy Super heroes from the Atom to Zatara: 75 years of DC Comics In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1, the first comic book with all-new, original material-at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time-the 20th century's answer to Atlas or Zorro. More than 40,000 comic books later, in honor of the publisher's 75th anniversary, TASCHEN has produced the single most comprehensive book on DC Comics, in an XL edition even Superman might have trouble lifting. More than 2,000 images-covers and interiors, original illustrations, photographs, film stills, and collectibles-are reproduced using the latest technology to bring the story lines, the characters, and their creators to vibrant life as they've never been seen before. Telling the tales behind the tomes is 38-year DC veteran Paul Levitz, whose in-depth essays trace the company's history, from its pulp origins through to the future of digital publishing.
Levitz Paul 75 Years of DC Comics
Four-Color Fantasy Super heroes from the Atom to Zatara: 75 years of DC Comics In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1, the first comic book with all-new, original material-at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time-the 20th century's answer to Atlas or Zorro. More than 40,000 comic books later, in honor of the publisher's 75th anniversary, TASCHEN has produced the single most comprehensive book on DC Comics, in an XL edition even Superman might have trouble lifting. More than 2,000 images-covers and interiors, original illustrations, photographs, film stills, and collectibles-are reproduced using the latest technology to bring the story lines, the characters, and their creators to vibrant life as they've never been seen before. Telling the tales behind the tomes is 38-year DC veteran Paul Levitz, whose in-depth essays trace the company's history, from its pulp origins through to the future of digital publishing.
Blair Sheila S., Bloom Jonathan M. Prisse d'Avennes, Arab Art
Adventures in Arabia A compendium of 19th century Islamic art and architecture Emile Prisse d'Avennes (1807-1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamored of Arabic art. As a youth he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe." In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys-hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'apres les monuments du Kaire, 1869-1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates-137 of them magnificent chromolithographs-mainly by Prisse d'Avennes. L'Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendor and diversity, and a work of supreme draftsmanship. The author: Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture. Издание на английском, французском и немецком языках.
Blair Sheila S., Bloom Jonathan M. Prisse d'Avennes, Arab Art
Adventures in Arabia A compendium of 19th century Islamic art and architecture Emile Prisse d'Avennes (1807-1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamored of Arabic art. As a youth he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe." In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys-hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'apres les monuments du Kaire, 1869-1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates-137 of them magnificent chromolithographs-mainly by Prisse d'Avennes. L'Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendor and diversity, and a work of supreme draftsmanship. The author: Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture. Издание на английском, французском и немецком языках.
Blair Sheila S., Bloom Jonathan M. Prisse d'Avennes, Arab Art
Adventures in Arabia A compendium of 19th century Islamic art and architecture Emile Prisse d'Avennes (1807-1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamored of Arabic art. As a youth he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe." In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys-hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'apres les monuments du Kaire, 1869-1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates-137 of them magnificent chromolithographs-mainly by Prisse d'Avennes. L'Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendor and diversity, and a work of supreme draftsmanship. The author: Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture. Издание на английском, французском и немецком языках.
Blair Sheila S., Bloom Jonathan M. Prisse d'Avennes, Arab Art
Adventures in Arabia A compendium of 19th century Islamic art and architecture Emile Prisse d'Avennes (1807-1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamored of Arabic art. As a youth he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe." In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys-hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'apres les monuments du Kaire, 1869-1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates-137 of them magnificent chromolithographs-mainly by Prisse d'Avennes. L'Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendor and diversity, and a work of supreme draftsmanship. The author: Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture. Издание на английском, французском и немецком языках.
Blair Sheila S., Bloom Jonathan M. Prisse d'Avennes, Arab Art
Adventures in Arabia A compendium of 19th century Islamic art and architecture Emile Prisse d'Avennes (1807-1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamored of Arabic art. As a youth he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe." In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys-hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'apres les monuments du Kaire, 1869-1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates-137 of them magnificent chromolithographs-mainly by Prisse d'Avennes. L'Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendor and diversity, and a work of supreme draftsmanship. The author: Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture. Издание на английском, французском и немецком языках.
Blair Sheila S., Bloom Jonathan M. Prisse d'Avennes, Arab Art
Adventures in Arabia A compendium of 19th century Islamic art and architecture Emile Prisse d'Avennes (1807-1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamored of Arabic art. As a youth he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe." In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys-hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'apres les monuments du Kaire, 1869-1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates-137 of them magnificent chromolithographs-mainly by Prisse d'Avennes. L'Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendor and diversity, and a work of supreme draftsmanship. The author: Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture. Издание на английском, французском и немецком языках.
Blair Sheila S., Bloom Jonathan M. Prisse d'Avennes, Arab Art
Adventures in Arabia A compendium of 19th century Islamic art and architecture Emile Prisse d'Avennes (1807-1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamored of Arabic art. As a youth he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe." In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys-hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'apres les monuments du Kaire, 1869-1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates-137 of them magnificent chromolithographs-mainly by Prisse d'Avennes. L'Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendor and diversity, and a work of supreme draftsmanship. The author: Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture. Издание на английском, французском и немецком языках.
Фоторамка "Poster black" 24х30 см (8541)
Фоторамка. Размер фотографии: 24х30 см. Материал: пластик. Рамка настенная, вертикальная/горизонтальная. Сделано в Китае.
Фоторамка "Poster black" 24х30 см (8541)
Фоторамка. Размер фотографии: 24х30 см. Материал: пластик. Рамка настенная, вертикальная/горизонтальная. Сделано в Китае.
Фоторамка, 10х15 см (11154)
Фоторамка. Размер фотографии: 10х15 см. Материал: керамика. Рамка настольная, вертикальная/горизонтальная. С рельефным рисунком. Сделано в Китае.
Фоторамка, 10х15 см (11154)
Фоторамка. Размер фотографии: 10х15 см. Материал: керамика. Рамка настольная, вертикальная/горизонтальная. С рельефным рисунком. Сделано в Китае.
Фоторамка стеклянная расписная 10х15 см (2301)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка стеклянная расписная 10х15 см (2301)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка стеклянная расписная 10х15 см "Fantasy in red" (2311)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка стеклянная расписная 10х15 см "Fantasy in red" (2311)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка стеклянная "Iced flowers in red" 10х15 см (11043)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка стеклянная "Iced flowers in red" 10х15 см (11043)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка стеклянная 10х15 см "Roses" (2009)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка стеклянная 10х15 см "Roses" (2009)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка "Heart collage" 10х15 см. (2051)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка "Heart collage" 10х15 см. (2051)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка расписная "Anemone" 10х15 см (11877/2303)
Фоторамка расписная. Размер фотографии: 10х15 см. Материал: стекло. Рамка настольная, вертикальная/горизонтальная. Упаковка: картонная коробка. Сделано в Китае.
Фоторамка расписная "Anemone" 10х15 см (11877/2303)
Фоторамка расписная. Размер фотографии: 10х15 см. Материал: стекло. Рамка настольная, вертикальная/горизонтальная. Упаковка: картонная коробка. Сделано в Китае.
Фоторамка стеклянная расписная 10х15 см (2252А)
Фоторамка расписная. Размер фотографии: 10х15 см. Материал: стекло. Рамка настольная, вертикальная/горизонтальная. Сделано в Китае.
Фоторамка стеклянная расписная 10х15 см (2252А)
Фоторамка расписная. Размер фотографии: 10х15 см. Материал: стекло. Рамка настольная, вертикальная/горизонтальная. Сделано в Китае.
Фоторамка полирезиновая 10х15 см (LF0504)
Фоторамка. Для фотографий размером: 10х15 см. Материал: керамика. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка полирезиновая 10х15 см (LF0504)
Фоторамка. Для фотографий размером: 10х15 см. Материал: керамика. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х10 см "Crystal silver" (6750)
Фоторамка. Для фотографий размером: 10х10 см. Материал: пластик. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х10 см "Crystal silver" (6750)
Фоторамка. Для фотографий размером: 10х10 см. Материал: пластик. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 13х18 см "Рoster blue" (8565)
Фоторамка. Для фотографий размером: 13х18 см. Материал: пластик. Рамка может располагаться как вертикально, так и горизонтально. Есть подставка. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 13х18 см "Рoster blue" (8565)
Фоторамка. Для фотографий размером: 13х18 см. Материал: пластик. Рамка может располагаться как вертикально, так и горизонтально. Есть подставка. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка "Poster gold" 13х18 см (8561)
Фоторамка. Размер фотографии: 13х18 см. Материал: пластик. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка "Poster gold" 13х18 см (8561)
Фоторамка. Размер фотографии: 13х18 см. Материал: пластик. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка 6х8 "Baby poly toys blue" (8034)
Фоторамка. Для фотографий размером: 6х8 см. Металлическая. Украшена пластиковой игрушкой. Есть подставка.
Фоторамка "Poster blue" 10х15 см (9122)
Фоторамка. Размер фотографии: 10х15 см. Материал: пластик. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка "Poster blue" 10х15 см (9122)
Фоторамка. Размер фотографии: 10х15 см. Материал: пластик. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка 10х15 см "Nora" (003) (10123)
Фоторамка. Размер фотографии: 10х15 см. Материал: дерево. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка 10х15 см "Nora" (003) (10123)
Фоторамка. Размер фотографии: 10х15 см. Материал: дерево. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка "Vertigo Liguria" 10х15 см (WF-014/176)
Фоторамка. Размер фотографии: 10х15 см. Материал: дерево. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка "Vertigo Liguria" 10х15 см (WF-014/176)
Фоторамка. Размер фотографии: 10х15 см. Материал: дерево. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка 10х15 "Susanna" (32001 7710)
Фоторамка. Для фотографий размером: 10х15 см. Материал: дерево. Есть подставка. Рамка может располагаться как вертикально, так и горизонтально. Есть также 2 настенных крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 18х24 см "Pposter black" (8553)
Фоторамка. Размер фотографии: 18х24 см. Материал: пластик. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка 18х24 см "Pposter black" (8553)
Фоторамка. Размер фотографии: 18х24 см. Материал: пластик. Рамка настольная/настенная, горизонтальная/вертикальная. Сделано в Китае.
Скрапбук "Gold princess with heart"
Фотоальбом на 100 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фоторамка "Pink" 10х15 см (8918)
Фоторамка. Размер фотографии: 10х15 см. Материал: металл. Рамка настольная, вертикальная. Сделано в Китае.
Фоторамка "Pink" 10х15 см (8918)
Фоторамка. Размер фотографии: 10х15 см. Материал: металл. Рамка настольная, вертикальная. Сделано в Китае.
Фоторамка 10х15 "Poster red" (9121)
Фоторамка. Для фотографий размером: 10х15 см. Материал: пластмасса. Есть подставка. Рамка может располагаться как вертикально, так и горизонтально. Есть также 3 настенных крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 "Vertigo Aosta" (W2141/891)
Фоторамка. Для фотографий размером: 10х15 см. Материал: дерево. Есть подставка. Рамка может располагаться как вертикально, так и горизонтально. Есть также 1 настенное крепление. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 18х24 см (CL/1666)
Фоторамка. Размер фотографии: 18х24 см. Материал: стекло. Рамка настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка 18х24 см (CL/1666)
Фоторамка. Размер фотографии: 18х24 см. Материал: стекло. Рамка настенная, горизонтальная/вертикальная. Сделано в Китае.
Фоторамка 10х15 "Helen" (7446 225V)
Фоторамка. Для фотографий размером: 10х15 см. Материал: дерево. Есть подставка. Рамка может располагаться как вертикально, так и горизонтально. Есть также 2 настенных крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 см "Poster gold" (9125)
Фоторамка. Для фотографий размером: 10х15 см. Материал: пластик. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 см "Poster gold" (9125)
Фоторамка. Для фотографий размером: 10х15 см. Материал: пластик. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 см "Poster black" (9119)
Фоторамка. Для фотографий размером: 10х15 см. Материал: пластик. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 см "Poster black" (9119)
Фоторамка. Для фотографий размером: 10х15 см. Материал: пластик. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 13х18 "Poster silver" (8560)
Фоторамка. Для фотографий размером: 13х18 см. Материал: пластик. Рамка может располагаться как вертикально, так и горизонтально. Есть подставка. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 13х18 "Poster silver" (8560)
Фоторамка. Для фотографий размером: 13х18 см. Материал: пластик. Рамка может располагаться как вертикально, так и горизонтально. Есть подставка. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 13х18 см "Poster yellow" (8566)
Фоторамка. Для фотографий размером: 13х18 см. Наличие стекла. Материал: дерево. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 13х18 "Poster red" (8563)
Фоторамка. Для фотографий размером: 13х18 см. Наличие стекла. Материал: дерево. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 см "Vertigo Asti" (1073/216)
Фоторамка. Для фотографий размером: 10х15 см. Материал: дерево. Рамка может располагаться как вертикально, так и горизонтально. Есть подставка. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 см "Vertigo Asti" (1073/216)
Фоторамка. Для фотографий размером: 10х15 см. Материал: дерево. Рамка может располагаться как вертикально, так и горизонтально. Есть подставка. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка расписная "Green flowers" 10х15 см (11089BM)
Фоторамка расписная. Размер фотографии: 10х15 см. Материал: стекло. Рамка настольная, вертикальная/горизонтальная. Сделано в Китае.
Фоторамка расписная "Green flowers" 10х15 см (11089BM)
Фоторамка расписная. Размер фотографии: 10х15 см. Материал: стекло. Рамка настольная, вертикальная/горизонтальная. Сделано в Китае.
Фоторамка 10х15 см "4 colours" (9180)
Фоторамка на 2 фото. Для фотографий размером: 10х15 см. Материал: пластик. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 см "4 colours" (9180)
Фоторамка на 2 фото. Для фотографий размером: 10х15 см. Материал: пластик. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фотокнига "Мой детский сад. Disney" (11239)
Фотокнига. 24 страниц для заполнения + 48 кармашков под фотографии размером 10х 15 см и 2 кармашка под фотографии 15х20 см. Фотокнига в прозрачной обложке. Сделано в Китае.
Фоторамка 10х15 см "Blue & pink flo on stripes" (9567)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 10х15 см "Blue & pink flo on stripes" (9567)
Фоторамка. Для фотографий размером: 10х15 см. Материал: стекло. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 6х8 см "Baby poly toys" (13457)
Фоторамка. Для фотографий размером: 6х8 см. Материал: металл. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 6х8 см "Baby poly toys" (13457)
Фоторамка. Для фотографий размером: 6х8 см. Материал: металл. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фотокнига "Mickey: my first shcool years" (10832)
Фотокнига. 24 страницы для заполнения + 52 кармашка (для фотографий формата 10х15 см.) + 2 кармашка (для фотографий формата 15х20 см.). Прозрачная обложка. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фоторамка 13х18 см "Silvia oval" (5005dub)
Фоторамка 13х18 см. Материал: дерево. Рамка может располагаться как вертикально, так и горизонтально. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 13х18 см "Silvia oval" (5005dub)
Фоторамка 13х18 см. Материал: дерево. Рамка может располагаться как вертикально, так и горизонтально. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фотокнига "My life" (11635)
Фотокнига. 36 страниц для заполнения + 40 кармашков под фотографии размером 10х 15 см. В альбоме много тестов, на различные темы. Фотокнига в прозрачной обложке. Сделано в Китае.
Фоторамка 15х21см "Vertigo Aosta" (2141/892)
Фоторамка. Для фотографий размером: 15х21 см. Материал: дерево. Может располагаться как вертикально, так и горизонтально. Есть подставка. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 15х21см "Vertigo Aosta" (2141/892)
Фоторамка. Для фотографий размером: 15х21 см. Материал: дерево. Может располагаться как вертикально, так и горизонтально. Есть подставка. Есть настенные крепления. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 15х21см "Vertigo Vercelli" (2047/204)
Фоторамка. Для фотографий размером: 15х21 см. Материал: дерево. Рамка может располагаться как вертикально, так и горизонтально. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 15х21см "Vertigo Vercelli" (2047/204)
Фоторамка. Для фотографий размером: 15х21 см. Материал: дерево. Рамка может располагаться как вертикально, так и горизонтально. Есть подставка. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 15х10 см "White & pink" (8920)
Фоторамка. Для фотографий размером: 15х10 см. Материал: металл. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 15х10 см "White & pink" (8920)
Фоторамка. Для фотографий размером: 15х10 см. Материал: металл. Обязательной сертификации не подлежит. Срок годности не ограничен. Сделано в Китае.
Фоторамка 24х30 см (CL 8999)
Фоторамка. Размер фотографии: 24х30 см. Материал: стекло. Рамка настенная, вертикальная/горизонтальная. Сделано в Китае.
Фоторамка 24х30 см (CL 8999)
Фоторамка. Размер фотографии: 24х30 см. Материал: стекло. Рамка настенная, вертикальная/горизонтальная. Сделано в Китае.
Фотоальбом на 200 фотографий "Ice age" (4R200 / 12118)
Фотоальбом на 200 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Производитель: Китай.
Фотоальбом на 200 фотографий "Ice age" (4R200 / 12118)
Фотоальбом на 200 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Производитель: Китай.
Фотоальбом на 300 фотографий "Italian fresco" (642300)
Фотоальбом на 300 фотографий формата 10х15 см. Переплет с объемным тиснением. На каждом развороте может размещаться 4 фотографии. Рядом с каждой фотографией есть разлинованное место под подпись. Прозрачные полипропиленовые кармашки. Сделано в Китае.
Фотоальбом на 300 фотографий "Italian fresco" (642300)
Фотоальбом на 300 фотографий формата 10х15 см. Переплет с объемным тиснением. На каждом развороте может размещаться 4 фотографии. Рядом с каждой фотографией есть разлинованное место под подпись. Прозрачные полипропиленовые кармашки. Сделано в Китае.
Фотоальбом на 300 фотографий "Beautiful flower" (LM-4R300)
Фотоальбом на 300 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фотоальбом на 300 фотографий "Beautiful flower" (LM-4R300)
Фотоальбом на 300 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фотоальбом на 400 фотографий "Romance" (12121 LM-4R400 )
Фотоальбом на 400 фотографий. Размер фотографий: 10х15 см. На каждой странице помещается 5 фотографии. Сделано в Китае.
Фотоальбом на 400 фотографий "Romance" (12121 LM-4R400 )
Фотоальбом на 400 фотографий. Размер фотографий: 10х15 см. На каждой странице помещается 5 фотографии. Сделано в Китае.
Фотоальбом на 100 фотографий "Color map Russia" (641V100)
Фотоальбом на 100 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фотоальбом на 100 фотографий "Color map Russia" (641V100)
Фотоальбом на 100 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фотоальбом на 100 фотографий "Moscow" (LM-4R100)
Фотоальбом на 100 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фотоальбом на 100 фотографий "Moscow" (LM-4R100)
Фотоальбом на 100 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Папка для фотографий "Наш класс" 21х30 (8896)
Тематическая папка для фотографий поможет Вам сохранить самые яркие впечатления о школе. Тип обложки: ламинированный картон. Формат: 21х30 см. Вертикальная папка. Срок годности не ограничен. Сделано в Китае.
Папка для фотографий "Наш класс" 21х30 (8896)
Тематическая папка для фотографий поможет Вам сохранить самые яркие впечатления о школе. Тип обложки: ламинированный картон. Формат: 21х30 см. Вертикальная папка. Срок годности не ограничен. Сделано в Китае.
Папка для фотографий "Наш класс" 21х30 (8896)
Тематическая папка для фотографий поможет Вам сохранить самые яркие впечатления о школе. Тип обложки: ламинированный картон. Формат: 21х30 см. Вертикальная папка. Срок годности не ограничен. Сделано в Китае.
Фотоальбом на 200 фотографий "Travel Europe" (LM-4R200)
Фотоальбом на 200 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фотоальбом на 200 фотографий "Travel Europe" (LM-4R200)
Фотоальбом на 200 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фотоальбом на 100 фотографий "Persian" (LAB46100)
Фотоальбом на 100 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.
Фотоальбом на 100 фотографий "Persian" (LAB46100)
Фотоальбом на 100 фотографий 10х15 см. Высококачественные материалы, используемые при производстве альбома, обеспечивают длительное хранение фотографий и защищают их от пожелтения. Срок годности не ограничен. Обязательной сертификации не подлежит. Производитель: Китай.


Булгаковская энциклопедия